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Derek Walcott wins TS Eliot Prize

I did a pretty excellent job of completely avoiding the TS Eliot this year. I’ve read maybe 3 of the 10 shortlisted books?

Anyway, someone who has kept up with the TS Eliot and the ten shortlisted is Dave at Dave Poems. So, why not go have a gander on his breakdown of the shortlist.

All I’m going to do is say HURRAH! Derek Walcott won! He scooped it for White Egrets.

I’m also going to give you a poem that he wrote, a demonstration of his excellence:

 

The Lost Empire (via the Guardian)

I

And then there was no more Empire all of a sudden.
Its victories were air, its dominions dirt:
Burma, Canada, Egypt, Africa, India, the Sudan.
The map that had seeped its stain on a schoolboy’s shirt
like red ink on a blotter, battles, long sieges.
Dhows and feluccas, hill stations, outposts, flags
fluttering down in the dusk, their golden aegis
went out with the sun, the last gleam on a great crag,
with tiger-eyed turbaned Sikhs, pennons of the Raj
to a sobbing bugle. I see it all come about
again, the tasselled cortège, the clop of the tossing team
with funeral pom-poms, the sergeant major’s shout,
the stamp of boots, then the volley; there is no greater theme
than this chasm-deep surrendering of power
the whited eyes and robes of surrendering hordes,
red tunics, and the great names Sind, Turkistan, Cawnpore,
dust-dervishes and the Saharan silence afterwards.

II

A dragonfly’s biplane settles and there, on the map,
the archipelago looks as if a continent fell
and scattered into fragments; from Pointe du Cap
to Moule à Chique, bois-canot, laurier cannelles,
canoe-wood, spicy laurel, the wind-churned trees
echo the African crests; at night, the stars
are far fishermen’s fires, not glittering cities,
Genoa, Milan, London, Madrid, Paris,
but crab-hunters’ torches. This small place produces
nothing but beauty, the wind-warped trees, the breakers
on the Dennery cliffs, and the wild light that loosens
a galloping mare on the plain of Vieuxfort make us
merely receiving vessels of each day’s grace,
light simplifies us whatever our race or gifts.
I’m content as Kavanagh with his few acres;
for my heart to be torn to shreds like the sea’s lace,
to see how its wings catch colour when a gull lifts.


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Scotland, TS Eliot Prize, and some smut.

You know, awesome things happen where I live just now. Tonight for instance, I get to listen to some wonderful poets.

Still, it’s hard not to have some yearnings for home when exciting things are happened there too.

First up, today saw the T S Eliot shortlist emerge (via Bookseller):

  • Seeing Stars Simon Armitage (Faber)
  • The Mirabelles Annie Freud (Picador)
  • You John Haynes (Seren)
  • Human Chain Seamus Heaney (Faber)
  • What the Water Gave Me Pascale Petit (Seren)
  • The Wrecking Light Robin Robertson (Picador)
  • Rough Music Fiona Sampson (Carcanet)
  • Phantom Noise Brian Turner (Bloodaxe)
  • White Egrets Derek Walcott (Faber)
  • New Light for the Old Dark Sam Willetts (Jonathan Cape)

Last year I tried to make it my mission to read everything on the TS Eliot shortlist, and failed miserably. Still, I’ll give it a go.

Back in Edinburgh, there are some pretty exciting things afoot, too. Hidden Door Fest 2 occurred this weekend– with some excellent readers including Ryan Van Winkle, Kona MacPhee, Dave Coates and Andrew Philip. But it’s pointless looking to the past, right?

Well, if you are lucky enough to be in Edinburgh, get ready for the launch of Ryan Van Winkle’s debut collection Tomorrow, We Will Live Here. It launches in Blackwells on South Bridge November 18th. (I’ve had a sneak peek of the book and it is excellent). If you can’t make it, well that sucks for you (and I feel your pain) but Ryan will be hanging out here, in the virtual sense, to talk about the collection soon.

Also, if you’re feeling productive, why not get involved at Forest Publications? Those fine purveyors of the Golden Hour and other literary delights are looking for submissions for 2 upcoming anthologies. The first This Next One Goes Out Too… plans to examine the relationship between literature and music, but get on it because the deadline is 30th October.

The other anthology’s submission deadline is November 15th– ever written anything filthy? I should hope so, and so do Forest Publications. The first installment of ‘Bedtime Stories’ was smutty, sexy and sold out within 2 months. So we’re onto the Second Coming. (Seriously, that’s the title, I can’t take credit for such a pun). Find all the sordid details here.

Seeing Stars Simon Armitage (Faber)
The Mirabelles Annie Freud (Picador)
You John Haynes (Seren)
Human Chain Seamus Heaney (Faber)
What the Water Gave Me Pascale Petit (Seren)
The Wrecking Light Robin Robertson (Picador)
Rough Music Fiona Sampson (Carcanet)
Phantom Noise Brian Turner (Bloodaxe)
White Egrets Derek Walcott (Faber)
New Light for the Old Dark Sam Willetts (Jonathan Cape)


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The forgotten art of letter writing

Moving across a frigging huge tract of water, away from people I love very much has reignited a dormant passion for letter writing. I used to write letters to one of my closest friends, Tammy, in the first year or so of university, and getting mail from boy is one of the loveliest things in the world. The content of a letter is, of course, much more important than what it’s written on and in, but a certain amount of style is always a plus, which is why I’ve been trying to decide between these sumptuous stationary sets from Paper Nation:

First up is this entirely over the top Florentine Writing Set which is just so outrageously ornate compared to my usual pale blue sheets. I think I would feel like some slightly drug crazed Italian aristocrat writing on these.

More suitable for me perhaps is this mapped set, so you can work out just where your letter came from, and where it’s going to end up.

It isn’t just gorgeous stationary and being away from loved ones that has got me thinking about correspondence: Emory’s MARBL (Manuscripts, Archives & Rare Books Library) contains hundreds and maybe thousands of letters, the correspondence of Ted Hughes, Seamus Heaney, Michael Longley and other fantastic poets. I’m so excited to start rifling through them (very carefully of course), but can’t decide who to start with!

The exchange of letters between writers seems to be a particularly special kind of correspondence, and can illuminate much of a poet’s work. My personal favourite literary-letter-relationship is the back and forth between Elizabeth Bishop and Marianne Moore. Their relationship existed almost entirely in letters– as friends and as editors and readers of one another’s works. Such a full relationship purely on paper, despite Bishop being reclusive. I would recommend trying to read some of them: they contain excellent advice to the younger writer, and comfort for all, such as this gem from Moore to Bishop:

… don’t let writing be a threat … it is unjust to probity to
reproach oneself for lagging, when often premature and dogged
struggle spoil one’s ability to treat the material right at a maturer
and more favorable time.

On a housekeeping note– I’m back and blogging, so say hullo if you’d like to ask me something, recommend me something, or just chat at carolinemarycrewATgmailDOTcom


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Forward Poetry Prize 2011

After a blog-free week (Latitude and moving out of St Andrews) I’m back! And it has been quite a bumper week for poetry, so you can expect me back on regular form.

So after much confusion with press releases on the Forward site I finally got my eyes on this year’s shortlist from The Guardian. Well, shortlist for best collection anyway. The other Forward prize shortlists remain frustratingly elusive.

Anyway, drum roll please! The shortlist for Best Collection goes like this:

  • Seamus Heaney – Human Chain
  • Lachlan Mackinnon – Small Hours
  • Sinead Morrissey – Through the Square Window
  • Robin Robertson – The Wrecking Light
  • Fiona Sampson – Rough Music
  • Jo Shapcott – Of Mutability

My first reaction is ‘DAMN… I really need to get on and read Of Mutability’. Just how many rave reviews and accolades does the book need before I read it. I mean, she is President of the Poetry Society, do I need further convincing? Being cut off from the university library really does suck.

Of course, a more perceptive reaction would be to comment on the stunning breadth of the nominations. I’ll be honest, Fiona Sampson and Lachlan Mackinnon
are completely unheard of to me, but how exciting is that? It’s rare that major poetry prize shortlist throw up new names. Although I’m sure they’re both very well known, it just happens that neither ring any bells with me, and it’s the first time that either has been shortlisted for the prize.

On to perhaps the most discussed nominee, Seamus Heaney. The Nobel Laureate has yet to bag a Forward– although who knows if he has any space left in his trophy cabinet?

Overall the lineup looks pretty interesting, and it’s good to see a mix of names up there– unlike the unashamedly commercial shortlist just announced for the Mercury Music Prize after last year’s disaster.

Still, I’ll be keen to get a look at the Felix Dennis Prize for First Collection shortlist. I always find this the most exciting prize, and it usually exposes the reader to some amazing new voices.

The winners of the Forward Prizes will be announced on October 6th 2010.

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